This beautifully conceived and produced survey of Islamic architecture explores the glorious world of the caravansarai, mausoleum, palace, and mosque. Focusing on the multifaceted relation of architecture to society, Robert Hillenbrand covers public architecture in the Middle East and North Africa from the medieval period to 1700. Extensive photographs and ground plans -- among which are hundreds of newly executed three-dimensional drawings that provide an accurate and vivid depiction of the structure -- are presented with an emphasis on the way the specific details of the building fulfilled their function.
Included are chapters on religious and secular architecture and the architecture of tombs. Each building is discussed in terms of function, the links between particular forms and specific uses, the role of special types of buildings in the Islamic order, and the expressions of different sociocultural groups in architectural terms. Here the student or historian of Islamic architecture will find an astonishing resource, including Maghribi palaces, Anatolian madrasas, Indian minarets, Fatimid mausolea, and Safavid mosques, each rendered in lavish illustrations and explained with incomparable precision.
A superb visual reference to the principles of architecture
Now including interactive CD-ROM!
For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order.
This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture.
In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.
Fa ades need to fulfill functional as well as aesthetical values: they have to provide an all-season protection against meteorological conditions, fit in its surrounding space but simultaneously present an own individuality and finally communicate the pur
Balconies are an architectural accent of a special kind. Forced to looking up from below while passing by on the street the balcony serves as an eye-catcher. However, regarded down from the perspective of the balcony it is providing a refuge. It shields o
This volume contains a collection of the key essays on and by Frank Lloyd Wright (1867-1959), one of the most influential and prolific architects of the 20th century. The individual essays focus on specific aspects of Wright's work, analyzing buildings and projects in order to explain the general principles of Wright's much-debated design methods. Included are previously published contributions from well-known historians and Wright scholars such as Kenneth Frampton, Colin Rowe, and Gwendolyn Wright, as well as new commentary from the book's editor, Robert McCarter, an acknowledged Wright expert and author of Phaidon's Frank Lloyd Wright monograph. This volume brings together in one place decades of important scholarship on Wright and his architectural principles, making it an essential reader for students of architecture and enthusiasts of Wright's work.
Margaret Drabble’s affecting novel, set in London during the 1960s, about a casual love affair, an unplanned pregnancy, and one young woman’s decision to become a mother.
Aimed at absolute beginners, this essential guide provides the technical tricks of the trade—the “building blocks”—needed to portray structures from country churches to city skylines. All it takes is 10 easy and fully illustrated lessons to master linear perspective, proportion, and composition, and to capture the texture of materials such as brick, stone, concrete, wood, glass, and steel. Draw a simple weathered wooden bungalow using graphite pencil. An old-fashioned church, with corner lines that converge at 2 vanishing points and different elevations, makes the perfect subject for illustrating 2-point perspective. Bring color into the picture in an image of a brightly painted Italian fishing cottage. Other demonstrations focus on architectural details, combining tools and techniques, and more.
"[A] richly illustrated, carefully explained introduction to classical architecture… Highly recommended." —Choice
An exceptionally approachable, thorough, informative guide to the theory and technique of designing classical buildings, as taught by a graduate of the Ecole des Beaux-Arts, this book, generously illustrated with sketches, freehand diagrams, renderings, and photographs, gives a lively, contemporary reality to what sometimes seems a remote subject. It is a practical text for learning how to design buildings in the classical tradition today.
Do washes, paint light to dark, use white areas, lift out, dry brush-paint, and try collage, spattering, and masking. Projects include traditional watercolor of a Minorcan village, suffused with soft purples and golds; snowy woods with wintry trees; and an ancient stone circle, rich in tex-ture and mystery. A gallery of professional works provides additional inspiration.
From mosques to markets, from citadels to cemetries, this text is a survey of the entire field of Islamic architecture. Although Islamic buildings may make an immediate visual impact, it can be useful to know something of the society which they serve. This text relates the architecture to the social areas of religion, power structure, commerce and communal life, placing emphasis on function and meaning rather than on style and chronology. The text contains photographs, drawings and plans that highlight the variety of building type and design. Building materials, techniques, and principles of decoration are also described and explained, and a comprehensive inventory of the key buildings of the Islamic world concludes this study.